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It's 1990 in London and Tom Hargreaves has it all - a burgeoning career as a reporter, fierce ambition and a brisk disregard for the 'peasants' - ordinary people, his readers, easy tabloid fodder. His star looks set to rise when he stumbles across a scoop - a dead child on a London estate, grieving parents loved across the neighbourhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and 'bad apples' - the Greens. At their heart sits Carmel - beautiful, otherworldly, broken, and once destined for a future beyond her circumstances until life - and love - got in her way. Crushed by failure and surrounded by disappointment, there's no chance of escape. Now, with the police closing in on a suspect and the tabloids hunting their monster, she must confront the secrets and silences that have trapped her family for so many generations.
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Summer, 1972: In the claustrophobic heat, eleven-year-old Byron and his friend begin 'Operation Perfect', a hapless mission to rescue Byron's mother from impending crisis. Winter, present day: As frost creeps across the moor, Jim cleans tables in the local café, a solitary figure struggling with OCD. His job is a relief from the rituals that govern his nights. Little would seem to connect them except that two seconds can change everything. And if your world can be shattered in an instant, can time also put it right?
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Queenie Jenkins can't cut a break. Well, apart from the one from her long term boyfriend, Tom. That's definitely just a break though. Definitely not a break up. Then there's her boss who doesn't seem to see her and her Caribbean family who don't seem to listen (if it's not Jesus or water rates, they're not interested). She's trying to fit in two worlds that don't really understand her. It's no wonder she's struggling. She was named to be queen of everything. So why is she finding it so hard to rule her own life?
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A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. Over the course of one hot summer, his provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally between our internal and external worlds. With its examination of the possibility that art can both save and destroy us, 'Second Place' is deeply affirming of the human soul, while grappling with its darkest demons.
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It is the winter following the summer they met. A couple, Bell and Sigh, move into a remote house in the Irish countryside with their dogs. Both solitary with misanthropic tendencies, they leave the conventional lives stretched out before them to build another - one embedded in ritual, and away from the friends and family from whom they've drifted. They arrive at their new home on a clear January day and look up to appraise the view. A mountain gently and unspectacularly ascends from the Atlantic, 'as if it had accumulated stature over centuries. As if, over centuries, it had steadily flattened itself upwards'. They make a promise to climb the mountain, but - over the course of the next seven years - it remains unclimbed. We move through the seasons with Bell and Sigh as they come to understand more about the small world around them, and as their interest in the wider world recedes.
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Every teenager remembers when they realised how disappointing their parents actually are. Scarlet's feeling that in spades. Her mum has left for a new life with a new love, and her dad's just hopeless. She's feeling stuck in the middle. So when her mum gives her the notebook, Scarlet decides there's only one thing she can write in it - the truth, about everything!
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A cat named Chobi sends silent messages of courage to a young woman, willing her to end a faltering relationship; a gifted artist fatally misunderstands her boss's enthusiasm for her paintings; a manga fan shuts herself away after the death of her friend, while her cat Cookie hatches a plan to persuade her outside; a woman who has dedicated her life to a distant husband learns a lesson in independence from her cat. Against the urban backdrop of humming trains and private woes, this title explores the gentle magic of the everyday.
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1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters, and girls sell dances for a shilling a time. The notorious queen of this glittering world is Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven whose character has been forged in the crucible of the Somme. But success breeds enemies, and Nellie's empire faces threats from without and within. For beneath the dazzle of Soho's gaiety, there is a dark underbelly, a world in which it is all too easy to become lost.
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Things keep slipping up for Shy. All he wants is sex, spliffs and his own turntables, and for all the red noise in his mind to disappear. But again and again he spirals past his senses and ends up with his head in his hands and carnage around him. You mustn't do that to yourself Shy. You mustn't hurt yourself like that. He's been kicked out of two schools, been cautioned, arrested, stabbed his stepdad in the finger and bottled a former Tumble Tots playmate, but it's the taunts and teasing of his new schoolmates that haunt Shy. At Last Chance - a home for 'very disturbed young men' - he is surrounded by people who want to help him, but his night terrors aren't getting any better. The night is huge and it hurts. So tonight he's stepping into it, with the haunted beginnings of a plan.
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There was a time when no one burned hotter than Eve Babitz. Possessing skin that radiated 'its own kind of moral laws,' spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and '70s. But there was one man who proved elusive, and so Babitz did what she did best, she wrote him a book. She also pulled off a remarkable sleight of hand: 'Slow Days, Fast Company' far exceeds its mash-note premise. It is a full-fledged and full-bodied evocation of a bygone Southern California. In ten sun-baked, Santa Ana wind-swept sketches, Babitz re-creates a Los Angeles of movie stars distraught over their success; socialites on three-day drug binges, evading their East Coast banking husbands; soap-opera actors worried that tomorrow's script will kill them off; Italian femme fatales even more fatal than she is.
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Eighteen-year-old Debbie White lives on a dairy farm with her mother, Maeve, and her uncle, Billy. Billy sleeps out in a caravan in the garden with a bottle of whiskey and the stars overhead for company. Maeve spends her days recording her dreams, which she believes to be prophecies. This world is Debbie's normal, but she is about to step into life as a student at Trinity College in Dublin. As she navigates between sophisticated new friends and the family bubble, things begin to unravel. Maeve's eccentricity tilts into something darker, while Billy's drinking gets worse. Debbie struggles to cope with the weirdest, most difficult parts of herself, her family and her small life. But the fierce love of the White family is never in doubt, and Debbie discovers that even the oddest of families are places of safety.
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In 1973, 20-year-old Moll Gladney takes a morning bus from her rural home and disappears. Bewildered and distraught, Paddy and Kit must confront an unbearable prospect: that they will never see their daughter again. Five years later, Moll returns. What - and who - she brings with her will change the course of her family's life forever.
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Helen Stockton DeFoe's world disintegrates after her mother is gunned down on the streets of Richmond. The more intently she begins to observe her remote, detached father, the more she learns about her place within the rarefied world she inhabits. Just when it appears she is at last becoming closer to him, it all falls apart as he coldly undermines her abiding passions, causing her to question the identity she's created. Her rebellion leads her to Europe on a disturbing path dominated by chance and evolving self-realisation.
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Deena Garvey disappeared in 2004. She left behind a daughter and a sister. Deena's daughter grows up in the country. She learns how to hunt, when to seed the garden, how to avoid making her father angry. Never to ask about her absent mother. Deena's sister stays stuck in the city, getting desperate. She knows the man responsible for her sister's disappearance, but she can't prove it. Not yet. Over fourteen years, four hundred miles apart, these two women slowly begin to unearth the secrets and lies at the heart of their family, and the history of power and control that has shaped them both.
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In the resort town of Tramore, County Waterford, visitors arrive in waves with the tourist season, reliving the best days of their childhoods at the seaside amusements. Local teenager Helen is indifferent to the charm of her surroundings; infatuated with her glamorous classmate Stella, she yearns to escape with her to art college, and from there, the world. But leaving is easier said than done. With an alcoholic father and an unsympathetic mother, Helen's free-falling family may wreck her dream, just as it seems to be within reach. As it follows Helen, Stella and their families' and neighbours' lives over two decades 'The Amusements' is an unforgettable story about roads taken and not taken. It is a brilliantly observed portrait of life in a small town, echoing with truth and compassion.
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The conflict in Chechnya was the first war that Ãsne Seierstad covered. Now ten years later, she returns to Chechnya and discovers that though the world's attention has moved on, the tragedy has continued, killing ten to 15 percent of the population and leaving a brutalised society with a particular toll on its children.