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It's 1990 in London and Tom Hargreaves has it all - a burgeoning career as a reporter, fierce ambition and a brisk disregard for the 'peasants' - ordinary people, his readers, easy tabloid fodder. His star looks set to rise when he stumbles across a scoop - a dead child on a London estate, grieving parents loved across the neighbourhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and 'bad apples' - the Greens. At their heart sits Carmel - beautiful, otherworldly, broken, and once destined for a future beyond her circumstances until life - and love - got in her way. Crushed by failure and surrounded by disappointment, there's no chance of escape. Now, with the police closing in on a suspect and the tabloids hunting their monster, she must confront the secrets and silences that have trapped her family for so many generations.
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Summer, 1972: In the claustrophobic heat, eleven-year-old Byron and his friend begin 'Operation Perfect', a hapless mission to rescue Byron's mother from impending crisis. Winter, present day: As frost creeps across the moor, Jim cleans tables in the local café, a solitary figure struggling with OCD. His job is a relief from the rituals that govern his nights. Little would seem to connect them except that two seconds can change everything. And if your world can be shattered in an instant, can time also put it right?
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Queenie Jenkins can't cut a break. Well, apart from the one from her long term boyfriend, Tom. That's definitely just a break though. Definitely not a break up. Then there's her boss who doesn't seem to see her and her Caribbean family who don't seem to listen (if it's not Jesus or water rates, they're not interested). She's trying to fit in two worlds that don't really understand her. It's no wonder she's struggling. She was named to be queen of everything. So why is she finding it so hard to rule her own life?
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A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. Over the course of one hot summer, his provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally between our internal and external worlds. With its examination of the possibility that art can both save and destroy us, 'Second Place' is deeply affirming of the human soul, while grappling with its darkest demons.
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It is the winter following the summer they met. A couple, Bell and Sigh, move into a remote house in the Irish countryside with their dogs. Both solitary with misanthropic tendencies, they leave the conventional lives stretched out before them to build another - one embedded in ritual, and away from the friends and family from whom they've drifted. They arrive at their new home on a clear January day and look up to appraise the view. A mountain gently and unspectacularly ascends from the Atlantic, 'as if it had accumulated stature over centuries. As if, over centuries, it had steadily flattened itself upwards'. They make a promise to climb the mountain, but - over the course of the next seven years - it remains unclimbed. We move through the seasons with Bell and Sigh as they come to understand more about the small world around them, and as their interest in the wider world recedes.
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Every teenager remembers when they realised how disappointing their parents actually are. Scarlet's feeling that in spades. Her mum has left for a new life with a new love, and her dad's just hopeless. She's feeling stuck in the middle. So when her mum gives her the notebook, Scarlet decides there's only one thing she can write in it - the truth, about everything!
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A cat named Chobi sends silent messages of courage to a young woman, willing her to end a faltering relationship; a gifted artist fatally misunderstands her boss's enthusiasm for her paintings; a manga fan shuts herself away after the death of her friend, while her cat Cookie hatches a plan to persuade her outside; a woman who has dedicated her life to a distant husband learns a lesson in independence from her cat. Against the urban backdrop of humming trains and private woes, this title explores the gentle magic of the everyday.
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1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters, and girls sell dances for a shilling a time. The notorious queen of this glittering world is Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven whose character has been forged in the crucible of the Somme. But success breeds enemies, and Nellie's empire faces threats from without and within. For beneath the dazzle of Soho's gaiety, there is a dark underbelly, a world in which it is all too easy to become lost.
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Things keep slipping up for Shy. All he wants is sex, spliffs and his own turntables, and for all the red noise in his mind to disappear. But again and again he spirals past his senses and ends up with his head in his hands and carnage around him. You mustn't do that to yourself Shy. You mustn't hurt yourself like that. He's been kicked out of two schools, been cautioned, arrested, stabbed his stepdad in the finger and bottled a former Tumble Tots playmate, but it's the taunts and teasing of his new schoolmates that haunt Shy. At Last Chance - a home for 'very disturbed young men' - he is surrounded by people who want to help him, but his night terrors aren't getting any better. The night is huge and it hurts. So tonight he's stepping into it, with the haunted beginnings of a plan.
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There was a time when no one burned hotter than Eve Babitz. Possessing skin that radiated 'its own kind of moral laws,' spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and '70s. But there was one man who proved elusive, and so Babitz did what she did best, she wrote him a book. She also pulled off a remarkable sleight of hand: 'Slow Days, Fast Company' far exceeds its mash-note premise. It is a full-fledged and full-bodied evocation of a bygone Southern California. In ten sun-baked, Santa Ana wind-swept sketches, Babitz re-creates a Los Angeles of movie stars distraught over their success; socialites on three-day drug binges, evading their East Coast banking husbands; soap-opera actors worried that tomorrow's script will kill them off; Italian femme fatales even more fatal than she is.
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Eighteen-year-old Debbie White lives on a dairy farm with her mother, Maeve, and her uncle, Billy. Billy sleeps out in a caravan in the garden with a bottle of whiskey and the stars overhead for company. Maeve spends her days recording her dreams, which she believes to be prophecies. This world is Debbie's normal, but she is about to step into life as a student at Trinity College in Dublin. As she navigates between sophisticated new friends and the family bubble, things begin to unravel. Maeve's eccentricity tilts into something darker, while Billy's drinking gets worse. Debbie struggles to cope with the weirdest, most difficult parts of herself, her family and her small life. But the fierce love of the White family is never in doubt, and Debbie discovers that even the oddest of families are places of safety.
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In 1973, 20-year-old Moll Gladney takes a morning bus from her rural home and disappears. Bewildered and distraught, Paddy and Kit must confront an unbearable prospect: that they will never see their daughter again. Five years later, Moll returns. What - and who - she brings with her will change the course of her family's life forever.
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Helen Stockton DeFoe's world disintegrates after her mother is gunned down on the streets of Richmond. The more intently she begins to observe her remote, detached father, the more she learns about her place within the rarefied world she inhabits. Just when it appears she is at last becoming closer to him, it all falls apart as he coldly undermines her abiding passions, causing her to question the identity she's created. Her rebellion leads her to Europe on a disturbing path dominated by chance and evolving self-realisation.
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Deena Garvey disappeared in 2004. She left behind a daughter and a sister. Deena's daughter grows up in the country. She learns how to hunt, when to seed the garden, how to avoid making her father angry. Never to ask about her absent mother. Deena's sister stays stuck in the city, getting desperate. She knows the man responsible for her sister's disappearance, but she can't prove it. Not yet. Over fourteen years, four hundred miles apart, these two women slowly begin to unearth the secrets and lies at the heart of their family, and the history of power and control that has shaped them both.
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In the resort town of Tramore, County Waterford, visitors arrive in waves with the tourist season, reliving the best days of their childhoods at the seaside amusements. Local teenager Helen is indifferent to the charm of her surroundings; infatuated with her glamorous classmate Stella, she yearns to escape with her to art college, and from there, the world. But leaving is easier said than done. With an alcoholic father and an unsympathetic mother, Helen's free-falling family may wreck her dream, just as it seems to be within reach. As it follows Helen, Stella and their families' and neighbours' lives over two decades 'The Amusements' is an unforgettable story about roads taken and not taken. It is a brilliantly observed portrait of life in a small town, echoing with truth and compassion.
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The conflict in Chechnya was the first war that Ãsne Seierstad covered. Now ten years later, she returns to Chechnya and discovers that though the world's attention has moved on, the tragedy has continued, killing ten to 15 percent of the population and leaving a brutalised society with a particular toll on its children.
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Julian Jessop is tired of hiding the deep loneliness he feels. So he begins The Authenticity Project - a small green notebook containing the truth about his life. Leaving the notebook on a table in his friendly neighbourhood café, Julian never expects Monica, the owner, to track him down after finding it. Or that she'll be inspired to write down her own story. Little do they realize that such small acts of honesty hold the power to impact all those who discover the notebook and change their lives completely.
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The Barnes family is in trouble. Dickie's once-lucrative car business is going under - but rather than face the music, he's spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife Imelda is selling off her jewellery on eBay while their teenage daughter Cass, formerly top of her class, seems determined to binge-drink her way to her final exams. And twelve-year-old PJ is putting the final touches to his grand plan to run away from home. Where did it all go wrong? A patch of ice on the tarmac, a casual favour to a charming stranger, a bee caught beneath a bridal veil - can a single moment of bad luck change the direction of a life? And if the story has already been written - is there still time to find a happy ending?
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From master of suspense Joseph Kanon, author of the bestsellers Istanbul Passage and Leaving Berlin, an espionage thriller set at the height of the Cold War, when a captured American who has spied for the KGB is swapped by the British for some German students and returns to East Berlin needing to know who arranged his release and what they want from him.
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Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path. But today, Kinch Na Shannack has picked the wrong mark. Galva is a knight, a survivor of the brutal goblin wars, and handmaiden of the goddess of death. She is searching for her queen, missing since a distant northern city fell to giants. Unsuccessful in his robbery and lucky to escape with his life, Kinch now finds his fate entangled with Galva's. Common enemies and uncommon dangers force thief and knight on an epic journey where goblins hunger for human flesh, krakens hunt in dark waters, and honour is a luxury few can afford.
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Sasha is well and truly over it all: work (all-consuming), friendships (on the back burner), sex-life (non-existent). Sasha has hit a brick wall. Armed with good intentions to drink kale smoothies, try yoga and find solitude, she heads to the Devon resort she loved as a child. But it's off-season, the hotel is falling apart and now she has to share the beach with someone else: a grumpy, stressed-out guy called Finn. How can she commune with nature when he's sitting on a rock, watching her? Especially when they don't agree on burnout cures. (Sasha: manifesting, wild swimming, secret Mars bars; Finn: drinking whisky). But when curious messages start appearing on the beach, Sasha and Finn are forced to begin talking - about everything. What's the mystery? Why are they both burned out? What exactly is 'manifesting', anyway? They might discover that they have more in common than they think.
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It's 2010. Staggeringly successful and brilliant tech entrepreneur Bix Bouton is desperate for a new idea. He's forty, with four kids, and restless when he stumbles into a conversation with mostly Columbia professors, one of whom is experimenting with downloading or 'externalising' memory. Within a decade, Bix's new technology, Own Your Unconscious - that allows you access to every memory you've ever had, and to share every memory in exchange for access to the memories of others - has seduced multitudes. But not everyone. In spellbinding linked narratives, Egan spins out the consequences of Own Your Unconscious through the lives of multiple characters whose paths intersect over several decades. Intellectually dazzling and extraordinarily moving, 'The Candy House' is a bold, brilliant imagining of a world that is moments away.
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Maraid watches her son, James, striding out across the grass, a bottle of milk for each of their visitors in hand. her mother-in-law still knits socks for men who will never wear them. The visitors are here to paint, to record, to celebrate - so they say - this island and its purity, the language all but vanished across the water.
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Dublin, 1816. A young nursemaid conceals a pregnancy and then murders her new-born in the home of the Neshams, a prominent family in a radical Christian sect known as the Brethren. Rumours swirl about the identity of the child's father, but before an inquest can be held, the maid is found dead after an apparent suicide. When Abigail Lawless, the 18-year-old daughter of the coroner, by chance discovers a message from the maid's seducer, she sets out to discover the truth.
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Ever the obedient daughter, Daisy Patel always follows the rules, but the one thing she can't give her family is the marriage they expect. With few options left to her, and desperate to escape a parade of unwanted suitors, she asks her childhood crush to be her decoy fiance. When Liam learns that his inheritance is contingent on being married, he realises Daisy has the perfect solution to his problem. Sparks fly when Daisy and Liam go on a series of dates to legitimise their fake relationship. Too late, they realise that very little is convenient about their arrangement. History and chemistry aren't about to follow the rules of this engagement.
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They burned down the market on the day Vivek Oji died. One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. 'The Death of Vivek Oji' transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father, and the heart-wrenching tale of one family's struggle to understand their child, just as Vivek learns to recognize himself.
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What a thing of wonder a mobile phone is. Six ounces of metal, glass and plastic, fashioned into a sleek, shiny, precious object. At once, a gateway to other worlds - and a treacherous weapon in the hands of the unwary, the unwitting, the inept. The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster. George, the patriarch, is a stalwart of television interviewing, a 'national treasure' (his words), his wife Beverley, a celebrated novelist (although not as celebrated as she would like), and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen. Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant.