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Girl meets boy. It's a story as old as time. But what happens when an old story meets a brand new set of circumstances? Ali Smith's re-mix of Ovid's most joyful metamorphosis is a story about the kind of fluidity that can't be bottled and sold. It is about girls and boys, girls and girls, love and transformation, a story of puns and doubles, reversals and revelations.
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A long time ago, in a bountiful land not so far away, the animal denizens lived quite happily. Then the colonisers arrived. After nearly 100 years, a bloody War of Liberation brought new hope for the animals - along with a new leader. A charismatic horse who commanded the sun and ruled and ruled and kept on ruling. For 40 years he ruled, with the help of his elite band of Chosen Ones, a scandalously violent pack of Defenders and, as he aged, his beloved and ambitious young donkey wife, Marvellous. But even the sticks and stones know there is no night ever so long it does not end with dawn. And so it did for the Old Horse, one day as he sat down to his Earl Grey tea and favourite radio programme. A new regime, a new leader. Or apparently so. And once again, the animals were full of hope.
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Little Starhorodivka, a village of three streets, lies in Ukraine's Grey Zone, the no-man's-land between loyalist and separatist froces. Thanks to the lukewarm war of sporadic violence and constant propaganda that has been dragging on for years, only two residents remain: retired safety inspector turned beekeeper Sergey Sergeyich and Pashka, a 'frenemy' from his schooldays. With little food and no electricity, under ever-present threat of bombardment, Sergeyich's one remaining pleasure is his bees. As spring approaches, he knows he must take them far from the Grey Zone so they can collect their pollen in peace. This simple mission on their behalf introduces him to combatants and civilians on both sides of the battle lines: loyalists, separatists, Russian occupiers and Crimean Tatars. Wherever he goes, Sergeyich's childlike simplicity and strong moral compass disarm everyone he meets.
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It is 1987 and a small Irish community is preparing for a wedding. The day before the ceremony a group of young friends drive out to the beach. There is an accident. Three survive, but three are killed. The lives of the families are shattered and the rifts between them are felt throughout the small town. Connor is one of the survivors. But staying among the angry and the mourning is almost as hard as living with the shame of having been the driver. He leaves the only place he knows for another life, taking his secrets with him. But the secrets, the unspoken longings and regrets that have come to haunt those left behind will not be silenced. And before long, Connor will have to confront his past.
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Two women arrive in a Spanish village, a dreamlike place caught between the desert and the ocean, seeking medical advice and salvation. One suffers from a mysterious illness: spontaneous paralysis confines her to a wheelchair. The other, her daughter Sofia, has spent years playing the reluctant detective, struggling to understand her mother's illness. Surrounded by the oppressive desert heat and the mesmerising figures who move through it, Sofia waits while her mother undergoes the strange programme of treatments invented by Dr Gomez. Searching for a cure to a defiant and quite possibly imagined disease, ever more entangled in the seductive, mercurial games of those around her, Sofia finally comes to confront and reconcile the disparate fragments of her identity.
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Write this down: Cara Romero wants to work. When Cara left the Dominican Republic for America, she thought she would work at the factory of little lamps for the rest of her life. But when the Great Recession hits, she is left unemployed and struggling with the rising rent. To survive, Cara must start again. Set up with a job counsellor, Cara's future is to be determined through forms and questionnaires. But answer boxes can't contain her indomitable personality and tempestuous past, and over the course of twelve sessions we learn of her scandals and struggles, hopes and heartbreaks, why she came to America and what really happened to her son. When everything is lost, sometimes the only way forward is to go back to the start.
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Jamie O'Neill loves the colour red. He also loves tall trees, patterns, rain that comes with wind, the curvature of many objects, books with dust jackets, cats, rivers and Edgar Allan Poe. At age 13 there are two things he especially wants in life: to build a Perpetual Motion Machine, and to connect with his mother Noelle, who died when he was born. In his mind these things are intimately linked. And at his new school, where all else is disorientating and overwhelming, he finds two people who might just be able to help him. 'How to Build a Boat' is the story of how one boy and his mission transforms the lives of his teachers, Tess and Tadhg, and brings together a community. Written with tenderness and verve, it's about love, family and connection, the power of imagination, and how our greatest adventures never happen alone.
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I is Another: Septology III-V, the second instalment in a major new work by Jon Fosse, one of Europe's most celebrated writers, follows the lives of Asle and Asle - two versions of the same person, two versions of the same life, both grappling with existential questions about life, death, love, light and shadow, faith and hopelessness.
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Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family in the north. How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia's parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave Bogotá with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil.
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An interpreter has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities, she is looking for a place to finally call home. She's drawn into simmering personal dramas: her lover, Adriaan, is separated from his wife but still entangled in his marriage. Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim's sister. And she's pulled into an explosive political controversy when she's asked to interpret for a former president accused of war crimes. A woman of quiet passion, she confronts power, love, and violence, both in her personal intimacies and in her work at the Court. She is soon pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her, forcing her to decide what she wants from her life.
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It all starts on New Year's Eve. A night that has to be a success, whatever the cost. For Joni and her friends, it'll be a party that promises all the high stakes and glamour of any other, but by sunrise they'll be dealing with something darker than the usual post-party comedown. Not that they let this stand in their way. For this is their year to revel in all that the playground of London has to offer: sneaking into places they shouldn't, breaking every rule, falling in love with the wrong people. All the while avoiding one undeniable truth: it's not if the party ends, it's how.
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Tokyo, 1995. Five men meet at the racetrack with little in common except a deep disaffection with their lives, but together they represent the social struggles and griefs of post-War Japan: a poorly socialized genius stuck working as a welder; a demoted detective with a chip on his shoulder; a Zainichi Korean banker sick of being ostracized for his race; a single dad of a teenage girl with Down syndrome. The fifth man bringing them all together is an elderly drugstore owner grieving his grandson, who died suspiciously after the revelation of a family connection with the segregated buraku community, historically subjected to severe discrimination. Intent on revenge against a society that values corporate behemoths more than human life, the five decide to carry out a heist: kidnap the CEO of Japan's largest beer conglomerate and extract blood money from the company's corrupt financiers.
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Five men who meet at a Tokyo racetrack every week carry out a heist. They have kidnapped the CEO of Japan's largest beer company to extract blood money from the company's corrupt financiers. Known as Lady Joker, the men make their first attack on the beer company when their demands are not met. As the attacks escalate, the shady networks linking corporations to syndicates are exposed, the stakes rise, and bring into riveting focus the lives and motivations of the victims, the perpetrators, the heroes and the villains. Some will lose everything, even their lives.
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Tokyo, 1995. Five men meet at the racetrack with little in common except a deep disaffection with their lives, but together they represent the social struggles and griefs of post-War Japan: a poorly socialized genius stuck working as a welder; a demoted detective with a chip on his shoulder; a Zainichi Korean banker sick of being ostracized for his race; a single dad of a teenage girl with Down syndrome. The fifth man bringing them all together is an elderly drugstore owner grieving his grandson, who died suspiciously after the revelation of a family connection with the segregated buraku community, historically subjected to severe discrimination. Intent on revenge against a society that values corporate behemoths more than human life, the five decide to carry out a heist: kidnap the CEO of Japan's largest beer conglomerate and extract blood money from the company's corrupt financiers.
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From his estranged father and strained relationship with Freddy, to the reckoning he experiences in confronting his privilege, Arthur Less must eventually face his personal demons. 'Less Is Lost' is a profound and joyous novel about the enigma of life in America, the riddle of love, and the stories we tell along the way.
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When the world is still counting the cost of World War Two and the Iron Curtain descends, young Roland Baines's life is turned upside down. 2,000 miles from his mother's love, stranded at boarding school, his vulnerability attracts piano teacher Miriam Cornell, leaving scars as well as a memory of love that will never fade. 25 years later Roland's wife mysteriously vanishes, leaving him alone with their baby son. He is forced to confront the reality of his rootless existence. As radiation from the Chernobyl disaster spreads, Roland begins a search for answers that looks deep into his family history and will last for the rest of his life.
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Abandoned at the gates of a London park one winter's night in 1850, baby Lily Mortimer is saved by a young police constable and taken to the London Foundling Hospital. Lily is fostered by an affectionate farming family in rural Suffolk, enjoying a brief childhood idyll before she is returned to the Hospital, where she is punished for her rebellious spirit. Released into the harsh world of Victorian London, Lily becomes a favoured employee at Belle Prettywood's Wig Emporium, but all the while she is hiding a dreadful secret. Across the years, policeman Sam Trench keeps watch over the young woman he once saved. When Sam meets Lily again, there is an instant attraction between them and Lily is convinced that Sam holds the key to her happiness - but might he also be the one to uncover her crime and so condemn her to death?
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The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns to the crypt several times alone to hold his boy's body. From this seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of realism, entering a thrilling, supernatural domain both hilarious and terrifying. Willie Lincoln finds himself trapped in a transitional realm - called, in Tibetan tradition, the bardo - and as ghosts mingle, squabble, gripe, and commiserate, and stony tendrils creep towards the boy, a monumental struggle erupts over young Willie's soul. Unfolding over a single night, 'Lincoln in the Bardo' is written with George Saunders' inimitable humour, pathos, and grace.
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7 days, 7 lectures. Beijing's elderly have gathered to hear sales pitches for care robots, immortality pills and dubious de-ageing tech. Yet one speaker, Nurse Zhong, offers only a story: of Uncle Xiao, the old man she cared for. What follows is a tale of how two fragile humans - one young, one infirm - weathered all life's hardships: together.
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Five women attempt the impossible - to love, to be strong, and to stay true to themselves. Bookseller Paula has lost a child, and a husband. Where will she find her happiness? Fiercely independent Judith thinks more of horses than men, but that doesn't stop her looking for love online. Brida is a writer with no time to write, until she faces a choice between her work and her family. Abandoned by the 'perfect' man, Malika struggles for recognition from her parents. Her sister Jorinde, an actor, is pregnant for a third time, but how can she provide for her family alone?
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PhD candidate Phoebe Walsh has always been obsessed with true crime. She's analysing the genre in her dissertation - if she can manage to finish it. It's hard to find the time while she spends the summer in Florida, cleaning out her childhood home, dealing with her younger brother, and grappling with the feelings of mourning an estranged father. It doesn't help that she's low-key convinced that her new neighbour, Sam, is a serial killer. But it's not long before Phoebe realises that Sam might be something much scarier - a genuinely nice guy who can pierce her armour to reach her vulnerable heart.
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A woman approaching the 'invisible years' of middle age abandons her failing writing career to retrain as a chiropodist in the East Berlin suburb of Marzahn, once the GDR's largest prefabricated housing estate. From her intimate vantage point at the foot of the clinic chair, she observes her clients and co-workers, listening to their stories with empathy and curiosity. Part memoir, part collective history, Katja Oskamp's love letter to the inhabitants of Marzahn is a tender reflection on life's progression.
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In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.
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Named after one of Iceland's most magnificent volcanoes, Hekla always knew she wanted to be a writer. In a nation of poets, where each household proudly displays leatherbound volumes of the Sagas, and there are more writers per capita than anywhere else in the world, there is only one problem: she is a woman. She decides to try her luck in Reykjavik, and moves in with her friend Jon, a gay man who longs to work in the theatre, but can only find dangerous, backbreaking work on fishing trawlers. Hekla's opportunities are equally limited: marriage and babies, or a job as a waitress, in which harassment from customers is part of the daily grind. They both feel completely out of place in a small and conservative world. And yet that world is changing: JFK is shot, hemlines are rising, and in Iceland another volcano erupts, and Hekla knows she must escape to find freedom abroad, whatever must be left behind.
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You stand on a crowded tube platform in London. Your two little girls jump on the train ahead of you. As you try to join them, the doors slide shut and the train moves away, leaving you behind. By the time you get to the next stop, you've convinced yourself that everything will be fine. But you soon start to panic, because there aren't two children waiting for you on the platform. There's only one. Has your other daughter got lost? Been taken by a passing stranger? Or perhaps the culprit is closer to home than you think? No one is telling the truth, and the longer the search continues, the harder she will be to find.
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Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years. This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege.
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There was a time when the world burned. Now some want to set the fire again. Once, the spirits of the mountain, sea and sky rose against humankind. They punished us for the heresies of the Burning Age - the time when we cared so little for the world that it went up in flames. We learned to fear them, honour them, and in the centuries of peace which followed, the spirits slept. Ven used to be a holy man, studying texts from the ashes of the past, sorting secrets from heresies. But when he gets caught up in the political scheming of the Brotherhood, he finds himself in the middle of a war, fuelled by old knowledge and forbidden ambition. And as the land burns again, the great spirits stir.
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Lucy Barton is a successful writer living in New York, navigating the second half of her life as a recent widow and parent to two adult daughters. A surprise encounter leads her to reconnect with William, her first husband - and longtime, on-again-off-again friend and confidante. Recalling their college years, the birth of their daughters, the painful dissolution of their marriage, and the lives they built with other people, Strout weaves a portrait, stunning in its subtlety, of a tender, complex, decades-long partnership.
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There were no saints in any era, Tom knew, just good men and bad, and sometimes both in the one bottle. Retired policeman Tom Kettle is enjoying the quiet of his new home, a lean-to annexed to a white Victorian Castle in Dalkey overlooking the sea. For months he has barely seen a soul, but his peace is interrupted when two former colleagues turn up at his door to ask questions about a decades-old case. A traumatic case which Tom never quite came to terms with. His peace is further disturbed by a young mother and family who move in next door, a woman on the run from her own troubles. And what of Tom's family, his wife June and their two children? A beautiful, haunting novel, in which nothing is quite what it seems, 'Old God's Time' is about what we live through, what we live with, and what will survive of us.
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Leinster House had been burned to the ground. All that was left was a smouldering ruin and the blackened remains of an Irish flag. The old man was trying to pin the blame on Brussels, but I knew the actual truth? Unfortunately, Sorcha was too angry with me for having sex with our daughter's Irish teacher to listen. But I had, like, other irons in the - pordon the pun - fire. I'd just become Head Coach of the Ireland rugby team - albeit, women. The country might well have been focked. But very soon, we had everyone believing in fairy tales again. And it all happened once upon a time in Donnybrook.
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It's 1990 in London and Tom Hargreaves has it all - a burgeoning career as a reporter, fierce ambition and a brisk disregard for the 'peasants' - ordinary people, his readers, easy tabloid fodder. His star looks set to rise when he stumbles across a scoop - a dead child on a London estate, grieving parents loved across the neighbourhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and 'bad apples' - the Greens. At their heart sits Carmel - beautiful, otherworldly, broken, and once destined for a future beyond her circumstances until life - and love - got in her way. Crushed by failure and surrounded by disappointment, there's no chance of escape. Now, with the police closing in on a suspect and the tabloids hunting their monster, she must confront the secrets and silences that have trapped her family for so many generations.